From The More You Love the Motherland (memoir):

• “Singing the Darkness: On Russia, Suffering, and Poetry” Image (2017)
• “The Paperless ‘Palestinian’ and the Russian P’liceman” The Margins (2017)
• “Farther and Farther in Sokolniki” The Smart Set (2017)
• “The High Rise on Desolation Row” At Length (2017)
• “My Life with ‘Barge Haulers on the Volga’” Kenyon Review Online (2017)
• “This is Autumn, My Friend.” Massachusetts Review (2017)

Poems from Shrapnel Maps (current project)

• “Nahida” (Matter)
• “An Index” (poem and essay, Beloit Poetry Journal)
• “Current Resident” (Matter)
• “Shrapnel Map” (Green Linden)
• “No Road/”Innocents Abroad” (BathHouse Journal)

From Pictures at an Exhibition (2016)

• “The Old Haunts (A Guided Tour)” (Jacket)
• “The Peasant Cart (Along Griboyedov Canal)” and Iconostasis of the Museum of Atheism and Religion” (Diagram)
• “Dear Lattice of Peasant Ribs” (Crazyhorse)
• “Club X, Before the Bridges Lift” (Plume)
• “Gardens (A Retranslation)” (Truck)

From Sand Opera (2015)

• Poems and Poetics at Elective Affinities (2014)
• Poems at Diode (2014)
• Poems and interview at Congeries (2013)
• “When I Was a Child, I Lived as a Child, I Said to My Dad” (Matter, 2013)
• Poems in Ostrich Review (2013)
• “Compline” and Statement from the NEA website (2013)
• Interview with Meg Pauken and Carla Thompson
• Interview with H.L. Hix

From To See the Earth (2008)

• “Primer for Non-Native Speakers” (Literal Latte)
• “Ashberries: Letters” (New England Review and in Best American Poetry 2002)
• “Post-Soviet Sestina” (Diagram)
• “Days of 1993″ (Prairie Schooner)
• “Making Meshi” (New England Review)
• “The Ballad of Skandar” (Poetry)
• “Memory Jar” (Seneca Review)
• “Stopping by Krispy Kreme” (Tin House)
• Fishouse Audio Archives