From The More You Love the Motherland (memoir):
- “Singing the Darkness: On Russia, Suffering, and Poetry” Image (2017)
- “The Paperless ‘Palestinian’ and the Russian P’liceman” The Margins (2017)
- “Farther and Farther in Sokolniki” The Smart Set (2017)
- “The High Rise on Desolation Row” At Length (2017)
- “My Life with ‘Barge Haulers on the Volga’” Kenyon Review Online (2017)
- “This is Autumn, My Friend.” Massachusetts Review (2017)
Poems from Shrapnel Maps (current project)
- “Nahida” (Matter)
- “An Index” (poem and essay, Beloit Poetry Journal)
- “Current Resident” (Matter)
- “Shrapnel Map” (Green Linden)
- “No Road/”Innocents Abroad” (BathHouse Journal)
From Pictures at an Exhibition (2016)
- “The Old Haunts (A Guided Tour)” (Jacket)
- “The Peasant Cart (Along Griboyedov Canal)” and Iconostasis of the Museum of Atheism and Religion” (Diagram)
- “Dear Lattice of Peasant Ribs” (Crazyhorse)
- “Club X, Before the Bridges Lift” (Plume)
- “Gardens (A Retranslation)” (Truck)
From Sand Opera (2015)
- Poems and Poetics at Elective Affinities (2014)
- Poems at Diode (2014)
- Poems and interview at Congeries (2013)
- “When I Was a Child, I Lived as a Child, I Said to My Dad” (Matter, 2013)
- Poems in Ostrich Review (2013)
- “Compline” and Statement from the NEA website (2013)
- Interview with Meg Pauken and Carla Thompson
- Interview with H.L. Hix
From To See the Earth (2008)
- “Primer for Non-Native Speakers” (Literal Latte)
- “Ashberries: Letters” (New England Review and in Best American Poetry 2002)
- “Post-Soviet Sestina” (Diagram)
- “Days of 1993″ (Prairie Schooner)
- “Making Meshi” (New England Review)
- “The Ballad of Skandar” (Poetry)
- “Memory Jar” (Seneca Review)
- “Stopping by Krispy Kreme” (Tin House)
- Fishouse Audio Archives